The Diaspora and Beyond

AFRICAN ART IS SPIRITUAL ENERGY THAT
EMBODIES THE AESTHETICS OF A PEOPLE


Jason E. Jones/Conga Storm - page 98

Scientists have established that humankind originated in Africa. In the January 11, 1988 issue of Newsweek Magazine, an article written by John Tierney entitled "The Search for Adam and Eve," reported that the DNA of modern man apparently appeared in Africa some 200,000 years ago. At some point after this, a group of Africans migrated from sub-Saharan Africa and formed a second branch of DNA, carrying it to the rest of the world. These research findings indicate that all modern humans can trace their lineage back to Africa, because Africa is the only place evincing the existence of human life more than 200,000 years ago.


Mark Edward Livingston/Quiet Village, 1982 - p. 101

Some of the African art in this collection dates back over 1,000 years BCE. As we begin to collect these precious masterpieces, realize we are returning to retrieve that which "was lost or stolen or strayed". African Art: the Diaspora and Beyond represents the culmination of over three decades of reclaiming a legacy and is grounded in the sculpture and masks of ancient Africa in the collection. Travel to the African continent was necessary to increase understanding of not only the art, but of the Africans who created these powerful works. The hands bound by chains and the legs held firm by shackles in the horrific dungeons of Ghana belonged to the same Africans who, when they arrived in this land, worked the plantations, cut the sugarcane, picked the cotton and tobacco, mined the gold, built the furniture and houses and nurtured the children of their masters.


Andre Guichard/All is Right With the World - page 94


One positive consequence of this great and terrible legacy is that their children have themselves become the great painters, sculptors and potters whose art is present in museums, art galleries and homes today. These children have inherited the life energy with which this art is so richly endowed. It is the art of yesterday; the legacy left by our ancestors that has given rise to the art of today.


Makeba Kedem-DuBose/Blood Ties,
1997 - p. 99

It is their art that is destined to withstand the test of time, thereby becoming the classic art of tomorrow. With the constancy of the rising and setting sun, our art regenerates itself year after year and generation after generation. As one explores the ancient sites of East and West Africa it becomes evident that the continent of Africa served as mentor to the ancient world and profoundly contributed to world civilization. It is important to recognize the spiritual expressions of a people endowed with the ability to produce incredibly powerful works of art. African art will give you whatever you demand of it, and more.

STEP INSIDE THE ARTIST'S WORLD

It may be an Ethiopian equestrian icon of Saint George; or a Biblicalcomposition of Revelations depicting the 144 chosen

Dedayo Laoye/Gri Gri, 2000 -
p. 111
surroundingChrist's throne; or Travelers, a portrait of two male Ethiopians. Allare a part of the rare beauty of artist Robert Johnson's work, which brings discarded windows to life. By using a reverse-glass process, he paints brilliant images on glass, a technique involving an ancient process that has been praticed in Senegal, West Africa for over one hundred years.


Robert Johnson/Travelers - page 97

Johnson believes that by using a combination of spray, acrylic, oil and tempera paints, his windows are transmuted into precious creations. He presents us with unusual color combinations, thereby providing us with a stimulating experience. By making this link between the West and the African continent, Johnson has given us an invaluable gift. As he artistically interprets his world with a sensitive and discerning eye, Johnson is fast becoming a strong voice in the art world.

 

 

 

Music: "Clouds" by Marshall Titus - Used with permission